Pauline regains her freedom when her husband dies, but her silence about the event places her under suspicion.

Instead of moving on to bigger and better things after college graduation, two best buddies are embarrassed to find themselves working at a pizza parlor and avoiding old classmates who come in for a slice.

In search of her own identity, a young champion in fencing is torn between two men, which leads her to personal conflict.

A man shows up at a Los Angeles house party with a plan and a mysterious lunchbox, but things take a turn when he runs into someone from his past.

Hubert Abercrombie Gumm, a flighty, eccentric screwball acquires a job as an executive at a radio station at the insistence of his only-slightly less eccentric aunt Fannie Handley, who is married to one of the company owners. After mixing up the script pages to the various radio programs, Hubert sets out to get the name of a returning explorer on a contract for the radio station. Other than the title, this film has no connection at all to the 1934 W.C. Fields film of the same title even though some sources give the plot of the Fields' film as the plot of this film.

This is the story of a young lady who is searching for a flat. Something strange begins to evolve in her body&soul.

Particle physicist Professor Brian Cox asks, 'What time is it?' It's a simple question and it sounds like it has a simple answer. But do we really know what it is that we're asking? He investigates the concept of time, exploring its origins and its limits, and questioning whether travelling through it will ever be possible. Brian visits the ancient Mayan pyramids in Mexico where the Maya built temples to time. He finds out that a day is never 24 hours and meets Earth's very own Director of Time. He journeys to the beginning of time, and goes beyond within the realms of string theory, and explores the very limit of time. He discovers that we not only travel through time at the speed of light,but the experience we feel as the passing of time could be an illusion.

Marlon explores his greatest fears onstage whilst he explains his prominent consternation and trepidation.

An elegy to Diane Burns on the shapes of mortality and being, and the forms the transcendent spirit takes while descending upon landscapes of life and death. A place for new mythologies to syncopate with deterritorialized movement and song, reifying old routes of reincarnation. Where resignation gives hope for another opportunity, another form, for a return to the vicissitudes of the living and all their refractions. “I’m from Oklahoma I ain’t got no one to call my own. If you will be my honey, I will be your sugar pie way hi ya way ya hi ya way ya hi yo.” — Diane Burns (1957-2006)

宝琳跟随同名主角，一位 18 岁的女孩在一夜情中意外怀孕。学校的压力、气候危机和社会的衰落沉重地压在她的心头，她现在根本不需要的是捕捉感情，尤其是她的一夜情卢卡斯，事实证明，她是魔鬼本人。